Tag Archives: Debussy Preludes

Editions- a mention

28 Oct

What edition are you learning _____ from?

Why is this important to any developing artist at the piano? It’s important because every note is crucial. What we see, hopefully as close to the Composer’s written hand manuscript as possible.  Close to the Composer’s notes written in his students’ studied scores. All, to “recreate” a hearing of the piece that is live and as close to the “intent” of the composer as possible. Or, to know that which is intended and bring out nuances that, debatable, reflect a historical representation of sounds leading to that piece’s interpretation.

So, Tuesday, I went to the small Honolulu music store adjacent to Sanders Piano on King Street. And, I asked if they had a Durand edition of the Debussy Preludes.  Apparently, not. There was a small dose of Debussy that wasn’t much thicker than Beethoven’s complete Sonatas in Henle and the Complete Mozart Sonatas in Presser. The Debussy editions available were Henle, Alfred, and Schirmer. There wasn’t even a Dover Edition. And, then I was left with one choice for the Preludes, and I cringed…it was the Schirmer Edition. Something I was told to NEVER work from (except for my Concerti for already set competitions to be one by the highest bidder- not I).

So, There are no fingerings in the Schirmer edition. The print itself seems too lifeless…I don’t know how to explain that, being that I am the daughter of a Printer. And, there is no acknowledgement of where this edition was derived. There is a 1900 copyright acknowledgement and international copyright claim posted with G. Schirmer Inc., ASCAP on the 1st prelude page. I’m not sure about the notes throughout the edition. And being that Hawaii already severely lacks resources, it is quite expensive for me to order books since there is no free shipping to Hawaii;- I’m still waiting for 2 shipments of books for students that were to be here on the 18th, and have still not arrived via USPS from Amazon (5 days left before I can formally complain.)

However, with some recordings and listening and a highlighter in hand I’ll mark any stray notes and accidentals, as I have done in comparing a Dover edition of Mussorgsky’s Picture’s at an Exhibition with an International Music Company, (Frankenstein edition) of Pictures at an Exhibition. There seem to be more errors in the Dover Edition.

However, The only really decent editions I have secured after my $30,000 solo music library of good editions that I secured over the years was stolen, like my good CD’s by by college classmates, is in some Sikorski editions. Not to mention college faculty stealing my old Chopin markings with all my other scores from my Music School basement locker It would be nice, if anyone has editions to send my way;- to drop them in the mail to me. Even IMSLP is difficult for me to afford in printing costs, due to the high volume of pages that comprise my repertoire. I’m sure there’s a pianist, or anti-pianist laughing about further damaging my career while helping plenty of “their own”. This is not something new I have to contend with, though I have a love of music that is very seperate from the people who make this a most difficult path to exist on.

 

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